Tag Archive for 'download'

This One’s On Me: Reznor Just Gives It Away — Digital Music News

NIN - The Slip (cover art)Last week Trent Reznor came out of nowhere (once again) and offered a new NIN album totally free, a move that is undoubtedly meant to boost fan loyalty. The album, called The Slip, is available without DRM and in multiple formats. “Thank you for your continued and loyal support over the years - this one’s on me,” Reznor wrote on the NIN.com site.

Fans can grab the album in a variety of formats, including MP3, various lossless (FLAC or Apple), or 24-bit/96-KHz WAV files (better than CD quality). Vinyl and CD versions will go on sale in July.

Not only is The Slip available for free, but it was released under the Creative Commons “attribution noncommercial share-alike” license. A note on the NIN.com site says: “We encourage you to remix it, share it with your friends, post it on your blog, play it on your podcast, give it to strangers, etc.”

Additionally, Nine Inch Nails announced a unique concert pre-sale that offers registered fans the best seats, a ticket imprinted with their name, early venue access and more. Simply put, Reznor is paving the way for the next generation of musicians who control their content and thrive via a direct connection to fans.

Lefsetz chimes in on the NIN promotion, and while I agree with many of his observations, I am at odds with him saying that Reznor did it wrong by offering an entire album at once:

“As for Trent dropping another album… I wouldn’t do it this way. Maybe he sees the record as a cohesive whole. But the key in the future is a little bit on a regular basis. Because this is what fans WANT! New music, more info, they want to feed their addiction. Rather than drop a load on them infrequently, give them something they can ponder for a few days or a week, then leave them hungry for a MONTH FROM NOW!”

Although this is a very progressive idea, one that Mark Cuban offered a few months ago, this isn’t what I would’ve wanted and I don’t feel like serializing the free tracks is all that compelling. If it was done that way, I probably would’ve waited until the entire album was available before I would bother visiting the site and downloading the tracks. I really have to disagree with Lefsetz on this one.

Recently, the band Coldplay offered a free download of the new single off their forthcoming album, and although I am a casual fan of Coldplay (which is to say I bought three of their previous albums), I don’t feel compelled to retrieve their free track. Why? There’s no perception of value present for me - definitely not like there is when an entire album is offered for free.

Radiohead - NIN - Coldplay

So, I ran across this article at Hitwise Intelligence (graph above) that measures the share of US Internet visits of Radiohead vs. NIN vs. Coldplay websites. I guess you can say it measures a free album vs. a free track as suggested by the size of Radiohead’s spike (back in September ‘07) vs. Coldplay’s spike (this month). It will be interesting to see going forward if Coldplay’s website visits remain higher after the release of the single than before and also NIN - The Slip spike vs. Coldplay’s spike (as I don’t believe that is represented on the graph).

Again, I don’t believe releasing a single free track for download is substantial enough to get me to make an effort to visit an Artist’s website. Very little perception of value - even when I am a fan. Thanks Trent for the free album - definitely worth my time.

Nine Inch Nails Gives Fans The Slip | Listening Post from Wired.com

Lefsetz Letter » Blog Archive » Trent’s Album

This One’s On Me: Reznor Just Gives It Away — Digital Music News

Hitwise Intelligence: Coldplay Compared To NIN And Radiohead

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A Brave New World: The Music Biz At The Dawn Of 2008 — Ars Technica

Great article and case study on the changing music industry by Nate Anderson at Ars Technica, a technology news and reviews site. In short, CD sales are down, major label revenues are sliding, and the music industry looks to be in recession. But music isn’t dying; it’s changing…

Ok, we already knew all that, but it’s still a good read. Here are a couple of great quotes:

What’s happening is obvious; consumers are making far more purchases than ever before, but are often choosing to grab only selected tracks rather than complete albums. The album may not be dying in a general way, but it has certainly lost its importance as the primary way that buyers in the digital era get their music. Bands with a track record of putting out uneven albums won’t be able to milk that strategy for massive profits anymore, nor will any labels that nurture such acts.

It’s often said that it’s hard to compete with free, and that may be true for some segments of the population. (Are college kids ever really going to cough up much cash?) But for most adults who don’t get off on breaking the law or on stiffing artists, it’s easy enough to compete with free. Make something that’s faster, more reliable, with better metadata and album art, and a huge DRM-free selection. Throw in charts, some editorial staff, and some community features, and money is there to be made.

Throw in a solid graphic with numbers on digital and physical music sales from 2003 through 2007…

Digital And Physical Music Sales - 2003-07

Also, make sure to check out the eMusic case study on page 2. Some impressive numbers on digital downloads and the state of indie music in general is brought forward…

Internet distribution has opened up music (like many other products) to the effects of the “long tail.” Since huge quantities of goods costs so little to store and deliver, online venues can offer products that appeal only to very small numbers of people and still make money. “The long tail does better online,” said [eMusic CEO David] Pakman, saying that eMusic is proof of that fact.

A Brave New World: The Music Biz At The Dawn Of 2008

Saul Williams Isn’t Disheartened | Tech News Blog - CNET News.com

So much great stuff in this Saul Williams interview… It’s hard to select just one quote to frame it all.

CNET: Trent talked about how happy he is that your music is in more iPods than ever before.
Williams: To me that’s the real deal. That’s how I see it. And that’s what leaves me not feeling disappointed because we all know that artists earn the most from touring. So it doesn’t work against me giving it away free to so many listeners. The more people that are into it, the more people that say ‘I got to see this live.’

Now, go read the entire interview.

Unlike Trent Reznor, Saul Williams isnt disheartened | Tech news blog - CNET News.com